Criticism

 

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In the listings below, the best articles are labeled "Webmaster's Choice."  You may wish to begin with those summaries first.

Bloom, Harold, ed.  Ernest Hemingway's A Farewell to Arms.  New York:
         Chelsea House, 1987. 

        Part of the Modern Critical Interpretations series, this collection includes 10 critical essays and a Hemingway chronology.

bulletBloom, Harold. "Introduction" (1-8)
bulletSchneider, Daniel H.  "The Novel as Pure Poetry."  (9-24)
bulletMerrill, Robert.  "Tragic Form in A Farewell to Arms." (25-32)
bulletAdair, William.  "A Farewell to Arms: A Dream Book." (33-48) [Webmaster's Choice]
bulletReynolds, Michael.  "Going Back." (49-60) [Webmaster's Choice]
bulletFetterley, Judith.  "Hemingway's 'Resentful Cryptogram.'" (61-76)
bulletOldsey, Bernard.  "The Sense of an Ending" (77-96)
bulletDonaldson, Scott.  "Frederic Henry's Escape and the Pose of Passivity." (97-112)
bulletBell, Millicent.  "Pseudoautobiography and Personal Metaphor."  (113-130)
bulletSpanier, Sandra Whipple.  "Catherine Barkley and the Hemingway Code: Ritual and Survival in A Farewell to Arms." (131-148)  [Webmaster's Choice]

Donaldson, Scott, ed.  New Essays on a Farewell to Arms. (Cambridge
        University Press, 1990)

Gibson, Walker.  Tough, Sweet, and Stuffy: An Essay on Modern American
        Prose Styles
. (Bloomington & London: Indiana University Press, 1966):
        28-42.

        Monteiro's gloss: "Walker Gibson . . . defended Frederic Henry's rhetoric.  By comparing the first paragraph of A Farewell to Arms with a paragraph from William Dean Howells' nineteenth-century novel A Modern Instance, he defined what makes Hemingway's style both innovative and effective."

Hemingway Review (Fall 1989) was dedicated to A Farewell to Arms.

Lewis, Robert W.  A Farewell to Arms: The War of the Words (New York:
          Twayne, 1992).

        George Monteiro's gloss: Pegged on the passage in the novel about the hollowness of abstract words, Lewis' "introductory interpretation of Hemingway's novel" is "a multi-faceted study that reads the novel in terms of characters, mode of presentation (including voice and point of view), and themes of games, craziness, and appearance vs. essence . . . ."

Monteiro, George, ed.  Critical Essays on Ernest Hemingway's A Farewell
          to Arms.
  New York: G.K. Hall & Co., 1994. 

        Part of the series Critical Essays on American Literature edited by James Nagel, this book includes two accounts on writing the novel, two writings on censorship, five reviews, and eight critical essays.  [Three of these pieces also appeared in Bloom.]  Following are links to summaries of these essays.  (Click on Monteiro's name for a summary of his introduction to this book.)

bulletReynolds, Michael S.  "The Writing of the Novel." (31-46) 
bulletOldsey, Bernard.  "The Sense of an Ending." (47-65) [Webmaster's Choice]
bullet[Ernest Hemingway to Maxwell Perkins, 7 June 1929 (67-69)  Not summarized here; see the Donaldson article for the play-by-play on censors vs. the novel.]
bulletDonaldson, Scott. "Censorship." (70-79)
bulletFadiman, Clifton. "A Fine American Novel." (81-83)
bulletDavidson, Donald.  "Perfect Behavior." (84-87)
bulletTodd, B. E.  "Farewell and Return." (88)
bulletDos Passos, John.  "[The 'Best Written Book']" (89-90)
bulletYoung, Stark.  "A Farewell to Dramatization." (91-95)
bulletBaker, Carlos.  "The Mountain and the Plain." (97-103)
bulletYoung, Philip.  "Death and Transfiguration."  (104-108)
bulletAnderson, Charles R.  "Hemingway's Other Style." (109-116)
bulletFetterley, Judith.  "Hemingway's 'Resentful Cryptogram.'" (117-129)
bulletBrenner, Gerry.  "A Hospitalized World."  (130-144)
bulletBell, Millicent.  "Pseudoautobiography and Personal Metaphor." (145-160)
bulletNagel, James.  "Catherine Barkley and Retrospective Narration." (161-174)
bulletGriffin, Peter.  "The Search for Home."  (175-188)
 

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